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Necessity is the mother of Invention… The recession brings with it the birth of a new era in Irish Talent

26/01/2011

Unless you've been hiding under a rock for the past few years I'm sure you are aware that we are currently in the middle of a recession. And although it may seem all doom and gloom, surprisingly not every facet of Irish culture has suffered. While the economy has been in utter turmoil and the financial crisis grows worse each day, the Irish music industry has seen the exciting birth of a new wave of Irish musicians and music. Now, more than ever, we need inspiring new music to drown out the cries of our empty wallets and just as needed we have delivered.

Repression, in this case financial, elicits creativity and one need look no further than the Emerging Talent section of the AMA Music Agency's website to find an abundance of phenomenally original Irish talent which has rose to the forefront of the international music scene due to the extraordinary uniqueness of these exceptionally gifted artists.

Bat Kinane
Bat Kinane is an emerging artist from Ballyknockan, Co.Wicklow who, as well as solo artist, is guitarist and songwriter in highly acclaimed Irish rock band Glyde who have toured Europe many times and have opened for top international acts like Slash and Metallica. During some off time from Glyder Bat continued to pursue his passion for creating music. The end result is an eclectic album of rock, folk and blues called “A lifetime to Kill” which critics have praised as being “a fantastic and welcome change of pace from an extremely talented songwriter” (Steven Reid, Sea of Tranquility/Fireworks).

The Shoos
The Shoos caused quite a stir with the release of their single “Distance” in May 2010, which achieved widespread airplay and the band impressed with live radio sessions including Today FM’s Ray D’Arcy Show, Radio One’s Arena and Pat Kenny shows and FM104’s Strawberry Alarm to name a few. “Distance” reached number 1 in the national physical sales chart and 21 in the combined physical and download charts. The success of “Distance” attracted major label interest, including Universal Music Ireland who plan to release new material early 2011 as well as Interscope in the States which have since invited the band to LA to work with a number of producers including Warren Huart (The Fray). They spent most of October 2010 in LA and played several shows including a headline gig at the legendary Viper Room and are currently in the studio putting the finishing touches to the tracks to be included on their upcoming Universal Ireland release.

Tupelo
Tupelo

are one of the nation’s most unique bands, blending classic Irish influences and instrumentation with the less expected influence of American folk and bluegrass music. Their eclectic line-up includes banjo, fiddle, brass and double bass – all blended into a sound that is both unusual and familiar. The band have been honing their sound up and down Ireland for the past few years, playing at festivals such as the Electric Picnic and Cork Jazz and picking up fans of the stature of Dave Fanning and Imelda May. Having just released their debut album “Dirty Money”, itself coming on the back of a top ten single, Tupelo are back to doing what they do best – playing live to packed houses all over Ireland.

Keywest
With significant label interest on both sides of the Atlantic, Keywest have won many fans both in the public and the music industry and 2011 looks like being an exciting year for the band. Their 2009 single “Miss You Most” has already raised their profile when it was snapped up by the producers of the IFTA nominated RTE 2 TV series; Aislings Diary for its soundtrack in an episode, while two of the band’s other original tracks also featured in the series. The band’’s sound can best be described as LA Rock-meets-pop infused by the melting pot of raw talent that characterizes each individual. So unique is the result that the merest introduction of their sound has brought them to the attention of national TV and radio. The band has recently played on the Late Late Show and The Cafe as well as a number of national and local radio stations around Ireland and will continue to prosper both here and abroad in the coming years.

Andrew Mann
Andrew Mann is an extraordinary and exceptionally gifted Irish singer and writer who has been performing professionally around Ireland and Europe for the last six years. After writing literally hundreds of songs over the last ten years he has earned a name for himself on the Irish music scene as someone with a powerful and

soulful voice and armed with an intense magnetic set that never disappoints. 2010 is set to be a big year for Andrew Mann. Armed with a debut album “Hidden In Plain Sight” that is filled with belting, heartfelt and deeply personal acoustic and rock songs and an obvious fire in his belly, Andrew Mann is ready to hit the road and share his songs of Irish soul with the world.

This electrifying smorgasbord of emerging raw Irish talent is enough to draw all attention of the recession and onto the exciting prospects in the Irish music industry in 2011.

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Elbow’s Guy Garvey hits out at rip-off promoters

14/10/2010

Elbow frontman Guy Garvey has spoken up against promoters who rip-off off young bands by operating a pay to play scheme. Speaking at the annual In The City music conference, Garvey blamed the system for stifling new talent. “There needs to be something really strong in place if a promoter is found to be ripping off young bands,” Garvey said. “It’s really really unfair. It’s basically playing on the hopes and dreams of people who are at the very first hurdle of their musical careers.”

He also remembered the treatment that his own band received in their early days. “If I knew that you could get in touch with the Mus

icians Union and I knew there was someone local who you could report said promoter to, that would be the way to do it. It should be the norm that you don’t get ripped off. I think it should be policed more.”

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Why should a band use a booking agent?

22/09/2010

As the DIY ethos in music continues to spread throughout the world of recording, promotion and record labels, so many bands approach the booking of live gigs themselves. While this may seem like a sensible and money saving option, in truth there is much to be gained from working with an experienced agent. Here are a few reasons why you should consider your options:

Manage your diary in one place – avoid mix ups and double bookings by having one person manage your schedule. Pass on all enquiries.

Access to venues – as an agent we are in direct contact with venues and promoters across the country. Save on wasted time sending unanswered emails and unreturned calls by letting us do the work for you.

Widen your options – as well as the traditional music venues we have strong links in the corporate and event world. This means that you will be able to book in shows that don't affect your regular touring.

Get The Best Access

>Mix and match – use outside professionals when it suits you (ie. record in a studio, release music yourselves).

Earn more money – quite simply, an agent can probably get you more gigs for better money. They can also plan tours in a manner that will cut down on travelling expenses etc

Get the backing of professionals – we are always on hand to offer our bands help

and advice, plus our full productions and promotional back-up.

And finally… – if you do all the above, you can avoid this….

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